Karen White is the author of
THE LOST HOURS, who I
interviewed a year ago. Her newest release is THE GIRL ON LEGARE STREET, the sequel to
THE HOUSE ON TRADD STREET. (Expect my review soon-ish.)
It turns out authors, like college students, sometimes have trouble getting enough sleep. And it turns out that Karen agrees with me that 20 minute naps are wonderful things! (Most of my friends don't settle for anything under 3 hours.)
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The Zzz’s of WritingI’ve done a lot of blogs and written about a lot on the subjects of writing, the life of an author, my career, the pros and cons of plotting vs. pantsing. But I’ve never written about something near and dear to an author’s heart. No, not fame, fortune, or becoming a NYT bestselling author. I’m talking about sleep.
At the moment, I’m bone tired. Deep down, mind-meltingly, brain-freezing tired. This isn’t because I have sleep problems. On the contrary, all I have to do is think about my bed and I’m fast asleep until my alarm rudely awakens me at 6:15. My family thinks I might be narcoleptic because all I have to do is be still for seven seconds and I’m out for the count.
The truth is that I need more sleep (obviously). But with a busy family, a husband who travels and all the hoopla of family life, combined with writing two big (100,000+ words) per year, there simply isn’t enough hours in the day to get everything done—so I steal from those hours that most people devote to sleeping. My bad.
Unfortunately, I’m also one of those people who can drink a pot of caffeinated coffee and fall asleep immediately. I know this because it’s happened before. More than once. How fair is that? I’ve tried everything: caffeinated gum, loud music, exercise, apples, hydration with water, standing on my head. And that’s when I realized that it’s more than lack of sleep—it’s the actual activity of writing that is so fatiguing.
I don’t know about other writers, but writing a page is more mentally exhausting than an hour of Pilates. My books tend to be pretty emotional, so I suppose it makes sense that writing them can be emotionally draining. Like an actress, I immerse myself into the character’s point of view and “become” that person when I’m in their head. I think it lends itself to more real emotions and dialogue. I’m also a very visual writer and when I’m envisioning a scene, I close my eyes and, yep, sometimes I’ll wake up an hour later realizing too late that a sleepy person shouldn’t spend too much time with her eyes closed if she doesn’t want to fall asleep!
I have spent completely unproductive afternoons nodding over my laptop, and have a permanent crease in my forehead from the laptop lid. (My kids say it’s a wrinkle because I’m old, but that’s my story and I’m sticking to it).
And then: a break through. While trying to stay away while eating breakfast, I usually attempt to read one of my many periodicals that come in daily that I rarely get to peruse because, yes, I fall asleep if I sit down in a quiet room to read.
I can’t remember what magazine or newspaper it was (sleep deprivation also interferes with memory, apparently), but in it I read about the wonders of napping. Now, as the mother of two teenagers who were once adorable toddlers who, thankfully, were good nappers, I already knew about the joys of napping. But this article talked about how famous people in history—Ghandi and Winston Churchill to name just two—recharged their brains in the middle of the day with a mere twenty minute nap. I couldn’t believe it—two icons in world history NAPPED! Surely, I thought, if it worked for them it could work for me.
Luckily, I’m one of those people who can lie down anywhere and fall asleep. So, after lunch one day, I went up to the guest room, drew the shades, put in my earplugs and set my alarm for 20 minutes. As always, I didn’t even remember falling asleep. All I knew was that when the alarm rang, I was a new person. My mind was clearer, and I was no longer sleepy. I felt refreshed—something I hadn’t been in a very long time. I was able to write with passion and clarity, really focusing on the story and characters instead of how many sentences I could get out before my eyes closed.
The secret to the twenty minutes and not longer is that it doesn’t allow a person to get into REM sleep while still offering the restorative qualities of sleep. If you sleep too much longer than that, you’re doomed to a day of grogginess. But 20 minutes seems to do the trick without any side effects. I’m now a huge proponent of adult napping, even contemplated a move to Spain where napping is a national past time. OK, so I didn’t really consider it, but wouldn’t it be nice if you could live in a place where you could nap and not feel guilty that you should be, well, working?
Napping is now a daily ritual for me. And, living with two teenagers, it can be the highlight of my day. Even my dog knows when it’s naptime, because he heads upstairs with me at the appointed time and settles himself either at the foot of the bed or on the floor next to it. He’s a professional napper himself, and I’m sure he feels he deserves the credit for my newfound restorative habit.
I just looked at the clock. I’ve been up since 6:15 and it’s time for lunch and then my favorite twenty minutes of the day. Then it’s back to writing for me. And I’m just left to wonder why this wrinkle in my forehead won’t go away now that I’m no longer using my laptop as a head prop.
Perhaps the most interesting conversation in the Local Authors panel was that of appropriate content for young adult fiction, particularly that which will be read by middle graders and young adults. Varian Johnson believes it's important to avoid gratuity and only include what is true to the characters and the story. He found MY LIFE OF A RHOMBUS difficult to write, particularly because it involved pregnancy and abortion, dilemmas he will never face. He wanted to do it right, which I can respect.
The other authors agreed. But even remaining true to the characters, there might be some changes made. Shana Burg's historical A THOUSAND NEVER EVERS originally included a single use of the n-word.
Jennifer Ziegler's HOW NOT TO BE POPULAR is also on the Lone Star list.
Sometimes you can't avoid people being offended. She did have an odd situation with someone saying online that she should be killed for writing THE LATENT POWERS OF DYLAN FONTAINE.
This was the shortest of the panels, since lunch ran long. It began with Lisa McMann turning a broken rose into a jacket decoration and each of the authors telling something about themselves and their books, Lisa's being WAKE and FADE.
Libba Bray discovered she could conduct the audience's roars of appreciation.
Fortunately, Libba misheard him and thought he said sex book. Rick joked that it might sell if he rewrote it with sex, but nope, it was just his second book. (His newest, THE MONSTRUMOLOGIST, isn't a sex book either.)
